Actually, that brings us to another important
thing: it's not just subject motion that you
want to stop—there's also camera motion. If
you've ever shot a gun, you know that it's
impossible to hold something completely
steady. If you've shot a gun with a scope,
which essentially magnifies your gun sights,
you know that as you zoom in your body's
shakiness is even more apparent. You can
improve things by resting your gun on
something steady or even changing your
posture.
One of the worst positions is both
hands out in front of you holding, say, a
handgun. With cameras, it's the same. No
matter how steady you try to be, your body
is always making minute twitches that will
ruin pictures with a long enough shutter
speed. How long is "long enough?" That
depends on how steady you are and your
position (holding a point and shoot out in
front of you like a handgun is, like with
guns, one of the worst positions—even
holding the camera against your head helps).
A conservative rule of thumb for most of the
smaller-frame digital SLRs (ones with
sensors called APS-C) is to always have a
shutter speed that is 1/2f or faster (if you can
afford a full-frame SLR, use 1/f instead). For
example, if you're taking a shot at 50mm you
want a shutter speed of at longest 1/100. This
is conservative, though, so you have to
experiment to see what fraction of pictures
turn out for you at slower speeds and then
you can decide how close to the edge you
want to live.
The best way to reduce camera shake is to
put the camera on a good tripod, but lots of
new cameras and lenses also have other ways
to reduce it.
There are two main types of
image stabilization: optical and sensor-based.
Canon and Nikon favor optical image
stabilization (their sytems are called IS and
VR, respectively) and most of the other
companies favor sensor-based stabilization.
With optical image stabilization, there is a
little accelerometer in the lens (like the
motion sensor in a Wii remote) that monitors
the way the lens is shaking. That information
is used to actually move one of the lenses
inside the lens to keep the image on the same
spot of the sensor while the shutter is open.
The sensor-based IS is similar, but instead of
moving a lens, the sensor itself is moved
around to counteract the shake. The most
important thing to remember about any
image stabilization system (including
tripods) is that even though you can reduce
camera motion, it doesn't do anything about
subject motion. This is why pros will still buy
really fast lenses: if you need fast shutter
speeds, IS can still be useful but the bottom
line is you need a wide aperture (or fast film,
and that's the next thing I'll write about).
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